“Well, conditions are quite harsh here. The guidance we offer all of our clients to put everything they’ve got into preserved goods and firearms.” That bit of sage advice comes from the Brain Gremlin – a lab-engineered, speaking, spectacled member of the slick creature crowd that overruns Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s madcap sequel Gremlins 2: The New Batch. On the surface, it’s simply an portfolio pointer from one monster to another. Yet, curiously, it’s also surprisingly sturdy life advice. Truly, listen to my reasoning.
When things go bad, the biggest mistake you can do is view events with undue solemnity. The Brain Gremlin understands this. Actually, most of the dentally-gifted beasts that inhabit Dante’s wild 1990 film (arguably his best) possess the same knowing, self-referential sense of humour regarding the indistinct border separating daily routine and unadulterated chaos. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the theme that resonates the most.
Of course, my connection with this movie did not begin on such an philosophical plane. As a child, we possessed merely a few battered VHS tapes at home. Among them were Gremlins and its sequel, the latter housed in a chunky ex-rental box likely purchased from an off-brand video shop and sporting snarling creatures on its knackered cover. I was instantly captivated and these films quickly proceeded embedding themselves inside my young, susceptible psyche. From then on, they became an practically routine part of my early years entertainment regimen.
Dante’s first film usually receives all the plaudits, thanks largely to its status as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins more times than I can count. That said, its sequel rarely gets the same level of elevated esteem, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d retreat into the house and play it. When I obtained my very own TV-VHS combo unit, it continued playing looped in my bedroom. With repetition, it etched itself permanently in my mindset. If my parents noticed this obsession, they didn’t seem to mind.
As I grew, new insights enriched frequent screenings, heightening the enjoyment of watching diminutive verdant beasts gleefully trash a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his ginger staff member Marla (Haviland Morris) alluding to his one-time partner Marla Maples. Thankfully, Clamp demonstrates more humanity than his genuine article inspiration.
The “end of civilisation” video Clamp plays during maximum monster mayhem? I discovered it was based on a genuine “Doomsday” video produced by the CNN boss Ted Turner as a contingency for the world truly faced apocalypse. I noticed how Dante took extra pains to film alternate cuts of a meta sequence where Gremlins take over the very film you’re watching. A version for theaters, one for VHS and TV, each offering a winking bit of fourth-wall-breaking cultural alchemy ahead of its time.
While it was makeup maestro Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this subsurface richness kept me hooked as an adult. In time, I even conversed with Dante about it myself and he had no qualms revealing to me he made the movie with the direct intention of mocking those who loved its absurd-yet-genuine predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This Looney Tunes-esque defiance and resolve to not take his sequel as seriously as his Warner Bros bosses evidently expected, only increased my affection for it.
When I experienced a sudden family bereavement recently, I was astonished to realize that, during my heightest mourning, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Possibly not. The comforting familiarity it offered was necessary to weaken my mind’s sadness sludge – but the stuff it had imparted to me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just cannot manage. Dante understands this. The Brain Gremlin knows it too. Sometimes, you have to emulate them: welcome the pandemonium, put everything you’ve got into preserved goods and firearms and try not to take things too seriously.
It’s powerful existential guidance from a most improbable origin – and it’s why Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.
Elara is a retro gaming historian and community moderator with over a decade of experience in arcade game preservation and digital archiving.